World Pottery

Wood-Fired Pottery: A Timeless Artform

Embark on a voyage through time with wood-fired pottery, an ageless and ancestral art form that dates back thousands of years. This technique demands firing pottery in kilns fueled by wood, giving birth to unique and enthralling ceramic pieces adorned with nature’s colors, textures, and patterns. The wood-firing process generates a spontaneous and organic atmosphere within the kiln, which can produce astonishing results.

This article delves deep into the history of wood-fired pottery, the diverse kilns employed, the enigmatic firing process, and the profound connection between wood-fired pottery and various cultures across the globe.

What is Wood Fired-Pottery?

Wood-fired pottery is a traditional method of creating ceramics that involves using wood as the primary fuel source in a kiln. This technique has been used for thousands of years across various cultures, and it is known for producing unique and organic effects on pottery. The process entails firing pottery pieces inside a wood-burning kiln, which can reach extremely high temperatures. As the wood burns, it produces ash, which interacts with the clay and glaze, creating distinctive colors, textures, and surface effects. Wood-fired pottery is highly valued for its individuality and the fact that no two pieces are ever identical, as the wood ash and flame patterns create unique markings on each ceramic piece.

Types of Wood-Fired Pottery

There are several types of wood-fired pottery, each with its distinct characteristics and aesthetics. These include:

Anagama Pottery
Anagama pottery is a Japanese wood-firing technique that involves using a tunnel-shaped kiln. These kilns are typically built on a slope, allowing for natural draft to circulate the heat and ash throughout the chamber. The pottery pieces are arranged inside the kiln, which is then sealed and fired for several days. The resulting ceramics have a rustic and earthy appearance, with rich colors and textures created by the wood ash and flame.

Noborigama Pottery
Noborigama, also known as the climbing kiln, is another Japanese wood-firing technique. This type of kiln features multiple chambers stacked on top of each other, resembling a staircase. The heat and ash from the wood fire move through the chambers, creating a range of temperature zones. This allows potters to achieve different effects and finishes on their pottery pieces, depending on the chamber in which they are placed.

Soda and Salt-Fired Pottery
Soda and salt-fired pottery are techniques that involve introducing soda ash or salt into the wood-fired kiln during the firing process. When the soda ash or salt vaporizes, it reacts with the clay and glazes to create unique and vibrant colors, textures, and surface effects. This method is popular among potters who seek to achieve a diverse range of results from a single firing.

Pit Firing
Pit firing is a primitive wood-firing technique in which pottery pieces are placed in a shallow pit, surrounded by combustible materials such as wood, leaves, and sawdust. The pit is then set on fire and allowed to burn for several hours. The interaction of the clay, wood ash, and smoke creates unpredictable and organic surface patterns and colors on the pottery. Although this technique does not produce high-fired ceramics, it is still practiced by some potters for its simplicity and unique aesthetic qualities.

A Brief History of Wood-Fired Pottery

The origins of wood-fired pottery can be traced back to the Neolithic period, around 10,000 BCE. Wood was the primary fuel source for pottery kilns until coal and gas became more widely available. Throughout history, wood-fired pottery has been a crucial part of many cultures, from ancient China and Japan to the American Southwest.

Ancient China: The Chinese began firing pottery with wood around 2,000 BCE, and the technique continued to evolve throughout the dynasties. During the Tang and Song dynasties, wood-fired pottery reached new heights of artistic expression, with the creation of world-renowned ceramics, such as celadon and Jian ware.

Japan: Wood-fired pottery has been an integral part of Japanese culture for over a thousand years, with several ancient kiln sites, such as Shigaraki, Bizen, and Tamba, producing highly prized ceramic pieces. The anagama kiln, a tunnel-shaped wood-fired kiln, played a vital role in the development of Japanese pottery.

American Southwest: Native American tribes in the American Southwest, such as the Anasazi and Mimbres, used wood-fired pottery techniques to create stunning ceramic pieces featuring intricate designs and symbols. The firing techniques used by these tribes influenced the pottery traditions of the Pueblo and Hopi tribes that followed.

Types of Wood-Fired Kilns

There are several types of wood-fired kilns used in pottery, each with its own unique characteristics and advantages.

Anagama Kiln: Originating in Japan, the anagama kiln is a tunnel-shaped, single-chamber kiln built into the side of a hill. It features a firebox at one end and a chimney at the other. The pottery is placed in the kiln’s main chamber, where the flames and ash flow over the pieces during the firing process. The anagama kiln is known for producing pottery with natural ash glazes and varied surface effects.

Groundhog Kiln: The groundhog kiln, used primarily in the American Southeast, is a long, low, and arched kiln built partially below ground level. The groundhog kiln is fired from one end, and the pottery is stacked within the main chamber. This type of kiln was commonly used in the production of stoneware pottery in the 19th and early 20th centuries.

Bourry Box Kiln: The Bourry box kiln is a two-chamber kiln, with the firebox separated from the pottery chamber. This design allows for more precise control of temperature and atmosphere within the kiln, making it a popular choice for contemporary potters working with wood-fired techniques.

Crossdraft Kiln: The crossdraft kiln is similar to the anagama kiln but has a horizontal firing chamber with the firebox at one end and the chimney at the other. The flames and ash travel across the pottery, creating unique surface effects and natural ash glazes.

The Wood-Firing Process

The wood-firing process is a labor-intensive and time-consuming technique that requires a deep understanding of the materials and firing conditions. The process involves several stages, including kiln loading, firing, and cooling.

How to Make Wood-Fired Pottery

Creating wood-fired pottery involves several steps, from preparing the clay and shaping the pottery to firing the pieces in a wood-burning kiln. Here’s a step-by-step guide to making your own wood-fired pottery:

Preparing the Clay

First, you’ll need to choose a suitable clay body for wood-firing. Stoneware and porcelain clays are popular choices because they can withstand high temperatures and produce excellent results when exposed to wood ash and flame. Wedge the clay to remove any air bubbles and ensure even consistency.

Shaping the Pottery

Using a potter’s wheel, hand-building techniques, or a combination of both, shape the clay into the desired form. This could be a vase, bowl, plate, or any other functional or decorative object. Allow the shaped piece to dry until it reaches the leather-hard stage.

Trimming and Adding Details

At the leather-hard stage, you can trim away any excess clay and refine the shape of your pottery. You can also add handles, spouts, or other decorative elements at this stage. Once the piece is fully dry, it will reach the bone-dry stage and be ready for the bisque firing.

Bisque Firing

Before wood-firing, the pottery must undergo a bisque firing in an electric or gas kiln. This initial firing removes any remaining moisture and hardens the clay, making it more durable and less likely to crack during the wood-firing process. Bisque fire the pottery to a temperature of around 1740°F to 1940°F (950°C to 1060°C).

Glazing (Optional)

While not all wood-fired pottery is glazed, some potters choose to apply a layer of glaze to their pieces to enhance the effects of the wood ash and flame. Glazes designed for wood-firing should be chosen, as they will react well with the wood ash and high temperatures.

Loading the Kiln

Carefully load your pottery into the wood-fired kiln, ensuring that the pieces have adequate space for proper air circulation and ash distribution. The placement of the pottery within the kiln can significantly impact the final results, as different areas of the kiln will be exposed to varying temperatures and amounts of ash.

Firing the Kiln

Light the wood fire and gradually increase the temperature over several hours or even days, depending on the size of the kiln and the desired firing temperature. Monitor the temperature and stoke the fire as needed to maintain consistent heat. Wood-firing temperatures typically range between 2100°F and 2400°F (1150°C and 1300°C).

Cooling and Unloading

After the firing is complete, allow the kiln to cool down slowly over several days. Rapid cooling can cause pottery to crack or break. Once the kiln has reached room temperature, carefully unload your wood-fired pottery pieces and admire the unique colors, textures, and patterns the wood ash and flame created.

Cleaning and Finishing

Wood-fired pottery may have residual ash or rough spots on the surface. Clean the pottery with a damp sponge or cloth to remove any loose ash and use sandpaper or a metal file to smooth any rough edges. Finally, you can apply a protective sealant or wax to enhance the appearance and protect the surface of your wood-fired pottery.

Unique Characteristics of Wood-Fired Pottery

Wood-fired pottery is renowned for its natural, organic appearance and the unique surface effects achieved through the interaction of the clay, ash, and flames within the kiln.

  • Natural Ash Glazes: As the wood burns in the kiln, the flames produce and carry ash onto the pottery surfaces. The ash melts at high temperatures, creating natural glazes that can vary in color, texture, and thickness. This results in one-of-a-kind, unpredictable finishes that collectors and enthusiasts highly prize.
  • Flame Markings: The movement of the flames within the kiln can leave distinctive markings on the pottery, such as flashing or carbon trapping. These markings add depth and character to the finished pieces, highlighting the unique nature of wood-fired ceramics.
  • Variation in Color and Texture: Due to the unpredictable nature of the wood-firing process, the finished pottery can have a wide range of colors and textures, ranging from smooth, glossy surfaces to rough, matte finishes. The variation in color and texture can be influenced by factors such as the type of wood used, the firing temperature, and the placement of the pottery within the kiln.

Wood-Fired Pottery and Its Connection to Nature

Wood-fired pottery is deeply connected to nature, relying on natural materials and processes to create stunning ceramic art. The use of wood as a fuel source, the natural ash glazes, and the unique surface effects all contribute to wood-fired pottery’s organic, earthy aesthetic.

Many potters who practice wood-firing techniques feel a strong connection to the environment and value the sustainable, eco-friendly aspects of the process. Using locally sourced wood and clay, potters can create pottery that reflects their natural surroundings’ unique characteristics and beauty.

Wood-Fired Pottery in Contemporary Art

Although wood-fired kilns have declined with the advent of gas and electric kilns, many contemporary artists continue to explore and celebrate the unique qualities and challenges of wood-fired pottery. These artists often experiment with new techniques, glazes, and forms, pushing the boundaries of traditional wood-fired ceramics.

Contemporary wood-fired pottery is highly sought after by collectors and enthusiasts, who appreciate these handmade ceramic pieces’ craftsmanship, skill, and unique qualities. The art of wood-firing continues to evolve and adapt, as artists draw inspiration from the ancient techniques while incorporating modern approaches to create innovative and captivating ceramic art.

Famous Wood-Fired Potteries and Artists

Several renowned potteries and artists are known for their exceptional wood-fired ceramics, showcasing the diverse range of styles and techniques within the wood-fired pottery tradition.

  • Shigaraki Pottery (Japan): As mentioned earlier, Shigaraki is a famous Japanese pottery center known for its wood-fired ceramics. Shigaraki pottery features natural ash glazes and unique textures, making it highly sought after by collectors.
  • Bizen Pottery (Japan): Bizen, another renowned Japanese pottery center, is famous for its unglazed wood-fired ceramics, which exhibit rich, earthy colors and intricate flame markings. Bizen pottery is cherished for its simplicity and connection to nature.
  • Michael Simon (USA): An American potter, Michael Simon is known for his wood-fired stoneware featuring simple, functional forms and natural ash glazes. Both Japanese and American pottery traditions influence his work and is widely admired for its understated beauty.
  • Jack Troy (USA): Jack Troy is an influential American potter, teacher, and writer who has dedicated his career to wood-fired ceramics. His work showcases wood-fired pottery’s natural beauty, rich colors, organic textures, and intricate flame markings.

Wood-Fired Pottery Workshops and Events

For those interested in learning more about wood-fired pottery, numerous workshops, events, and educational opportunities are available worldwide. These experiences provide hands-on instruction, allowing participants to explore the wood-firing process and create their own wood-fired ceramics.

Some popular wood-fired pottery events and workshops include:

  • Anagama Firing Workshops: These workshops focus on the traditional Japanese anagama kiln and the wood-firing techniques used to create unique, natural glazes and surface effects.
  • Groundhog Kiln Workshops: Focusing on the groundhog kiln, these workshops teach participants about the history and techniques of wood-fired pottery in the American Southeast.
  • International Woodfire Conferences: These conferences bring together wood-fired pottery enthusiasts, artists, and educators worldwide to share knowledge, techniques, and ideas related to wood-fired ceramics.


Wood-fired pottery is a captivating and enduring art form showcasing nature’s beauty and the potter’s skill. The unique characteristics and organic qualities of wood-fired ceramics make them highly sought after by collectors and enthusiasts alike. From ancient kiln sites in Japan to contemporary artists pushing the boundaries of the medium, wood-fired pottery continues to captivate and inspire with its timeless appeal. Whether exploring the rich history of wood-fired ceramics or attempting the techniques for oneself, there is a wealth of knowledge and inspiration to be found in the world of wood-fired pottery.

Frequently Asked Questions (FAQs)

Can you fire pottery with wood?

Yes, you can fire pottery with wood. Wood-fired pottery is a traditional technique that uses wood as the primary fuel source in a kiln. This method imparts unique characteristics to the finished pottery, such as natural ash glazes, flame markings, and a wide range of colors and textures.

What is wood-fired ceramics?

Wood-fired ceramics refer to pottery that has been fired in a kiln using wood as the primary fuel source. This ancient technique is known for its organic, earthy aesthetic and the unique surface effects that result from the interaction of the clay, ash, and flames within the kiln.

What is the best clay for wood firing?

The best clay for wood firing depends on the desired outcome and the specific firing conditions. However, stoneware and porcelain clays are commonly used in wood firing due to their ability to withstand high temperatures and their compatibility with the natural ash glazes produced during the firing process. It’s essential to choose a clay body with a suitable temperature range for the specific wood-firing conditions.

What is fired pottery called?

Fired pottery is referred to as “ceramics” or “ceramic ware.” The term “ceramic” comes from the Greek word “keramos,” which means “potter’s clay” or “pottery.” Once the clay has been shaped and fired in a kiln, it undergoes a transformation from a malleable, wet material into a hard, vitrified ceramic piece.

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